
by Robert Willey (1993).
Hardware:
- Macintosh SE computer
- Roland Sound Canvas module
- Yamaha KX76 keyboard controller
- Korg Wavestation synthesizer
- Mackie 1602 mixer
- Lexicon LXP-1 reverb
- Panasonic SV-3700 DAT recorder
Software:
- Studio Vision (Opcode)
- Intelligent Music UpBeat (David Zicarelli)
- Programmable Instruments (Robert Willey)
The sounds and processes had a big effect on the musical ideas, textures, and forms. UpBeat was a cool program that was used on half the album's songs. It allowed the user to set boundaries on random events that varied the notes you played, creating variations in drum pitch patterns. I think the fun of working in this environment comes through in the recordings. The era ended when my Macintosh SE's screen finally gave out, since UpBeat was not compatible with new versions of Apple's operating systems. The other important piece of software, Studio Vision also went by the wayside with the demise of Opcode. It had easy-to-construct subsequences that could be linked together, resulting in clear jumps from one texture to another. The computer went out in the trash one day, like my IBM PC-XT did, the one I wrote the first programmable instrument programs on with Rick Bidlack.
Apple Macintosh SE computer
Yamaha KX76 controller
Korg Wavestation keyboard
Mackie mixer
Roland Sound Canvas tone module
Lexicon reverb
Tracks
- 1Out of the Blue4:02
- 2Welcome to the Trondheim Composer Group Concert5:00
- 3Stairway to Seven5:30
- 4As We Were Singing5:25
- 5High Lights3:12
- 6(Winter) Solstice6:59
- 7Yucatan3:59
- 8A Game of Statues3:51
- 9Somersault of Thought6:00
- 10Written in Umbrellas4:24
- 11A Cloud of Grains5:10
- 12The Big Glide6:51
- 13No Distance8:01




